Event 1: COLOR LIGHT MOTION: Featuring Ryszard Kluszczyński – presenting artist Wen-Ying Tsai
The first event I have chosen to attend is the online event, “COLOR LIGHT MOTION: Ryszard Kluszczyński – presenting artist Wen-Ying Tsai.” The type of art that was presented is known as Cybernetic Art. Ryszard Kluszczyński is the Head of Department of New Media and Digital Culture at the University of Lodz, Poland. Wen-Ying Tsai was an American artist born in China. He is one of the forerunners of Cybernetic Art, having graduated as an engineer then studying art. Painting was his main interest for decades–optical painting and optical perceptual painting with a technical engineering approach.
1968 was a very prolific period for Wen-Ying Tsai. Pictured below is one of his first works entitled Harmonic Sculpture #10.
This event was an excellent example of how science and art can come together in the “third culture” referred to by C.P. Snow (Snow, The Two Cultures) and I highly recommend it to other students as a clear example of what we are looking at in this course, DESMA 9.
Cybernetic Art is defined as “contemporary art that builds upon the legacy of cybernetics, where feedback involved in the work takes precedence over the traditional aesthetic and material concerns” (Wikipedia, Cybernetic art). According to Kluszczyński, people say cybernetic art was important in the 50s, 60s, and 70s, but not later. However, in his option, there are good reasons not to agree with this because we are now facing the process of transformation of cybernetic ideas, and it is being developed under different names. This makes sense especially today with the emergence of artificial intelligence and AI art. Another expert who is looking forward to seeing how AI will be incorporated into Cybernetic Art is Jasia Reichardt. She discusses Cybernetic Art in her book Cybernetics, Art, and Ideas (Reichardt, Cybernetics, art and ideas).
In 1993 Wen-Ying Tsai said, “[s]cientific innovations when
properly oriented to serve humanity…can be an effective means of delivering us
from our present environmental chaos into a world of dynamic ecological
equilibrium–a new promised land for all richness in lives and vitalities.” He
was able to enjoy this ecological equilibrium later in life, according to his
son London, when he moved to upstate New York. There Wen-Ying Tsai was finally able
to spend his days wandering around dozen acres of land thinking about how to
shape the land, where to plant the trees, having lived in the city – this need
was underlying his artwork, says London.
Works Cited
Reichardt, J. (1971). Cybernetics, art and ideas.
Studio Vista.
Snow, C. P. “The Two Cultures and the Scientific
Revolution.” Cambridge University Press, 1959.
Wikimedia Foundation. (2024, January 11). Cybernetic art.
Wikipedia. https://en.wikipedia.org/wiki/Cybernetic_art.
Accessed on April 28, 2024



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